Recently, I had a conversation with a colleague about music. I had gone to see one of my direct reports’ bands, and they were really genre-hopping. I told her about the experience and mentioned that they blended such far-flung musical styles as punk, hip-hop, and shoegaze. She said she loved shoegaze, but when I asked her if she was going to the Slowdive show, she confessed that she hadn’t heard of them. I was a bit shocked, since I would consider them just below My Bloody Valentine in the pantheon of shoegaze progenitors. I asked her what shoegaze bands she was into and she mentioned Emma Ruth Rundle, whom she described as metal/shoegaze.

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Noble Oak - Eveningstar (YouTube) Recently, a friend on Mastodon asked followers about their first cassette purchase. I had no trouble recollecting getting Starship’s Knee Deep In The Hoopla when I was in the fourth grade as my introduction to the world of music on tape. I wore that tape out playing the all-too radio friendly songs like “We Built This City” (some might say the song was pandering — the shoutout to all the cities hasn’t aged well).

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The creative forces behind Ginger Root have a concept for a show featuring one actress (it’s all they had the budget for). Their Japanese protagonist changes looks and activities often to keep people of the world glued to their sets. In the end, it seems, what suits her best is rockin’ out. The song “There Was A Time” itself has a breezy 70s feel, with a healthy dose of tropicalia in the mix and a smidgen of psychedelia.

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In Paul Simpson’s review of the new album from the Houston-based Khruangbin (sorry, no link), A La Sala, he acknowledges the fact that they’ve moved past their influences into a sound all their own.

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In many ways, though not in all, it’s gotten much harder to share the music you love with others. I was reminded of this a couple of days ago. For my wife’s birthday, my sister made her a playlist on Apple Music. This was thoughtful and kind, but unfortunately, we don’t have Apple Music. So my wife had to copy down the tracks that made up the list and find the songs to make her own playlist on Qobuz.

Back in the day, when you had a crush on someone, or simply wanted to spread the gospel of superbad tunes for getting down, you made a mixtape. If the recipient of your tape had a cassette player (which everyone did — they were standard government issue), they could listen to your creation until their heart's content. Or until the tape wore out (this is a real thing).

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Thurston Moore of Sonic Youth I used to have a well-worn VHS cassette of Sonic Youth’s tour video, 1991: The Year Punk Broke. It featured a just-experiencing-stardom phase of Nirvana, but that wasn’t the reason I watched it over and over. I was more interested in the Sonic Youth and Dinosaur Jr. performances that were recorded at these giant European music festivals. Until Lollapalooza sprang forth from the mind of Perry Farrell, we didn’t have bands like Sonic Youth playing huge outdoor venues in North America.

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The song for this video is from 1984, but the video was shot just recently. Originally not a huge seller, "Plastic Love" by Mariya Takeuchi has been growing in popularity over the last 40 years. It fits in with the 80's Japanese genre, city pop, and has come to be a defining piece of that style of music. Jason Morehead describes city pop as "a slick blend of jazz, pop, and funk that emerged during Japan’s economic boom in the ’80s and celebrated an upscale, cosmopolitan lifestyle.

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