Skip to content

Rad Dad Redemption

Robert Rackley
Robert Rackley
1 min read

I've temporarily lost my cool dad status. Despite my son's well-planned and executed request (in which he invoked his "mental, physical and emotional health") to be able to purchase Red Dead: Online, I refused to let him have anything to do with it. Red Dead: Online is the networked version of the Red Dead Redemption franchise. From everything I've read, its Mature rating is well deserved. Per Claude:

The M-rating reflects several concerns for a 13-year-old: graphic violence including shootouts and brutal melee combat, strong language throughout, sexual themes and partial nudity, alcohol and drug use, and gambling mechanics. The game is set in a gritty, morally complex Wild West where players often engage in criminal activities.

The online component adds another layer of concern - your son would be interacting with strangers online, and despite content filters, exposure to inappropriate chat or behavior from other players is common in online gaming environments.

The truth is, I'm not just being protective of my son. I also don't want to support a game like this under any circumstances, and I lament that this is now mainstream entertainment that 13-yr.-olds are after.

When I worked in a video game store, I once found myself being that snobby clerk guy who brings to mind characters from High Fidelity. A customer asked when a game called something like Dark, Bloody Death was coming out. In my exasperation with the myriad of such games, I replied, "hopefully never." Not great.

Parenting

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994. Fan of the open web.


Related Posts

Members Public

R.I.P Dave Kendall

Dave Kendall, creator and host of MTV’s 120 Minutes, has passed away. The British-born Kendall conceived 120 Minutes after joining MTV as a producer, pitching the network a dedicated program for the punk, post-punk, goth, synth-pop, ska, and other underground sounds largely ignored by corporate rock

Members Public

Goran Kajfeš Subtropic Arkestra & Avin Omar

Goran Kajfeš Subtropic Arkestra & Avin Omar by Goran Kajfeš Subtropic Arkestra One problem with posting your listening habits on a periodically updated Now page is that those habits can literally change overnight. A couple of days ago, I updated my Now page, only to get deeply into a Swedish

Goran Kajfeš Subtropic Arkestra & Avin Omar
Members Public

Poptimus Prime

Freddie deBoer writes about how poptimism has achieved so much success because of the cultural context in which it was born. A culture that considers it wrong to have standards that can identify one thing as better than another is fertile ground for the elevation of terrible art. That’s