Skip to content

Recontextualization

Robert Rackley
Robert Rackley
1 min read
Recontextualization

When I heard that Starflyer 59 was releasing a new album hot on the heels of their critically acclaimed 2024 record Lust For Gold, I was a bit surprised. Once I dove further into the concept for the record, though, I began to understand why the band was able to put this out so quickly. This isn’t a collection of new songs, but rather a reimagining of previous material in a gently soporific, slumber-inducing format. I wasn’t sure about the premise, but I have to admit to being fond of the results.

The collection comes off as very similar to the Lullaby Renditions of… series that came together almost two decades ago. The series took the songs of popular bands and recreated them in a format that sounded like lullabies. Tracks by Nirvana or Radiohead or even Led Zeppelin were transformed into something that you would hear coming from the plastic mobile rotating over an infant’s crib. If it sounds hokey, maybe it was a bit, but somehow it worked. We had the volume dedicated to The Cure and used to play it to get my oldest son to settle down when he was a baby.

While the stylistic shift is effective in a certain way, it usually leaves me with a desire to go back and listen to the original song. That's certainly true here, especially on tracks like "When I Learn To Sing" (one of my first Starflyer discoveries and still a favorite).  Additionally, as is true in most of these sorts of collections, some songs work well in the new format and some are not as adaptive.

While I don't imagine picking this album up on a regular basis during the day, it makes for a pleasant night cap.


FavoriteNoise

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994.


Related Posts

Members Public

Don’t Panic

Despite seemingly being designed by a corporation to be mostly inoffensive, sometimes to the point of banality or worse, Coldplay launched into the world consciousness hot, with “Don’t Panic,” the song in the pole position on their debut album Parachutes. Though I feel more generosity towards Chris Martin and

Members Public

Heart Still Beats

I’ve been on a post-punk x new wave kind of kick the last several days, after I learned Black Marble (who I blogged about last year) are going to be playing nearby in September. The algorithmn overlords recommended Castlebeat to me after the end of a listening sesh of

Members Public

Memory Tape

Niko Stratis writes about the comfort of physical media and older technology. Let us suffer no worries or troubles, we have salvation in our walkmen and their analogue batteries. Never mind the truth of these eras, the 90s and the days before and after are years often cast in imperfect