Skip to content

Cassandra Jenkins “Hard Drive”

Robert Rackley
Robert Rackley
1 min read
Cassandra Jenkins “Hard Drive”

Have you ever thought about how hypnosis so closely resembles guided meditation? Especially the beginning of hypnosis, called induction, which is designed to put you into a state of relaxation in which you are more susceptible to suggestion. The watching of the breath, the attention on sensations in the body that focus and settle your mind are integral to both beginning hypnosis and to mindfulness meditation.

When Cassandra Jenkins begins the song “Hard Drive” with spoken word, it feels like a hypnotic induction. With the saxophones playfully decorating the background, the accompanying instruments sound a bit like something off the Blue Nile’s Hats LP. Jenkins transitions to a singing voice as the chorus starts and it sounds all the more beautiful for the contrast with the spoken narrative. The song is masterfully constructed. As Jenkins speaks towards the end of the track, she narrates a friend assuring her of a better future, then slowly counting to three while directing deep breathing, which mimics the part of cuing someone out of hypnosis.


Jenkins talks about therapy in the song. In 2019, she was set to go on tour with Purple Mountains when, a few days from the start, Dave Berman from Purple Mountains passed away. One has to assume that therapy has played an important part in her life.

Friday Night VideoNoise

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994.


Related Posts

Members Public

King Cnut

London-based outfit Mandrake Handshake has something like a psychadelic+ sound. Or as they call it themselves—flowerkraut. They probably owe as much to Stereolab as anyone else. In their song “Hypersonic Super-Asterid,” they actually use the phrase “metronomic underground," which is the first track from Stereolab’s Emperor Tomato

Members Public

Too Fast To Last

Longtime readers know I’m a big fan of Scout Gillett, who I first discovered via her beguiling cover of Broadcast’s “Come On, Let’s Go.” I had her first full-length, 2022’s No Roof No Floor, on very heavy rotation for a couple of months after its release.

Members Public

Lonely Road

I was unfamiliar with Natalie Bergman and discovered her new material while combing through this post by Jason Morehead about some of his favorite songs of 2025. This track leads off Bergman's 2025 release, My Home Is Not In This World. It's got a Brill Building