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Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994.

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Lonely Road

I was unfamiliar with Natalie Bergman and discovered her new material while combing through this post by Jason Morehead about some of his favorite songs of 2025. This track leads off Bergman's 2025 release, My Home Is Not In This World. It's got a Brill Building

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Treasure Hoard - December 2025

Predictions for the AI bubble, the katechon, the power of music in discernment and healing, fediverse trends, Wendell Berry and more.

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120 Minutes That Saved My Life

When I was starting to explore the scope of music in what used to be called the “alternative” scene in the late ’80s and early ’90s, the MTV show 120 Minutes was an effective teacher. The label described a loosely knit category—if you can even call it that—in

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Streaming Cassettes

Jason Koelber tells the story of how he moved from streaming music to buying cassettes for 404 Media. When I came to Tokyo, a friend took me to a store that sold cheap portable cassette players, and I knew it wouldn’t be a huge leap to take my music

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Magnum Mars

The subject of Christian masculinity has been hot these last few years and the NYT piece on Orthodoxy and the influx of young men to the faith have reignited interest in the Orthodox world. Religion professor Phil Dorroll writes about what masculinity looks like within the Orthodox Christian context. In

Magnum Mars
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A Cutting Egress

About a week ago, many bloggers were writing about the nightmare scenario of getting locked out of your iCloud account. Indeed, what could terrify a geek more? There was sense of panic at the realization this could occur. Nick Heer writes at Pixel Envy: What I am stunned by is

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Free The Bluebird

Cyrus Farivar writes for Ars Technica about a startup company that wants to reclaim the Twitter brand from the clutches of Elon Musk. Called Operation Bluebird, the company has filed a formal petition with the US Patent and Trademark Office on the premise that X Corporation has abandoned it. Elon

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The Demise of a Newsletter

Another Substack writer jettisons the platform.

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No Carbon Copies

Damon Krukowski from Galaxie 500 writes about the vitality of live music — not just music experienced in person, but also live albums. I started collecting live albums— bootlegs in particular — because they helped me hear how musicians actually play their instruments. Growing up in the heyday of 1960s and ’70s

No Carbon Copies
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Let Me Take You Out

Listening to “Let Me Take You Out” by Class Actress in 2025 feels like hearing the sound of promise unfulfilled. When the single from their first EP, Journal of Ardency came out in 2010, it seemed like the start of a band destined to make a mark. The song was