A personal weblog by Robert — mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic.

Self-publishing since 1994.

  • Elderberry Wine

    Though I have to admit that I haven’t listened yet, Asheville NC outfit Wednesday’s latest album Bleeds just dropped yesterday. In support of that, I wanted to offer the video for the first single from album, released several months ago to critical acclaim.

    “Elderberry Wine” leans into the more accessible elements of the Wednesday shoegaze alt-country formula. You could even see someone weaned on the thin gruel of contemporary country music developing an appreciation for the reverence of Americana in the song and video. With more hooks than a tacklebox, the song gets stuck in your head for days.

    Wednesday – Elderberry Wine (YouTube)

  • Locked Down Media

    Bandcamp sent an email this week on the impact of tariffs to bands that sell physical media via the site.

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  • Omarchy

    Okay, I’ll admit it: I love the ambitiousness of 37Signals rolling their own Arch-based Linux distro (called Omarchy) and the obvious enthusiasm CTO David Heinemeier Hansson has for the project. The minimalist distro has now reached what they are calling 2.0 and DHH made another demo video of himself geeking out over the capabilities.

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  • Tangled Up In Chaos

    A few days ago, I received a plea in my normal email from the media outlet Tangle.

    The last six months have been a difficult time for media outlets. Overwhelmed by the news, many readers and listeners are tuning out. Those who are staying up to date are increasingly relying on artificial intelligence round-ups to get their news, which has caused website traffic to fall.

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  • Falling On My Sword

    In honor of Tops’ new album Bury The Key being released yesterday, I’m featuring one of the tracks, “Falling On My Sword,” as the Saturday Night Video this week. 

    “Falling On My Sword” is my favorite among the early singles from this LP and probably the one that most closely matches the 70’s prog rock-inspired cover art. It’s a bit of a left turn for Tops. Based on their previous work, you would think anything born of a seventies influence would be more in line with late-decade disco (and the remainder of the album features some of that).

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  • Of Human Bondage

    The third edition of John Brady’s This & That. zine reached my mailbox this week. As I read through it, I thought about the slower pace of communication from the past. In the book Of Human Bondage by W. Somerset Maugham, the residents of a small British town at the turn of the 20th century share a newspaper, each taking shifts throughout the day.

    Soon after breakfast Mary Ann brought in the Times. Mr. Carey shared it with two neighbours. He had it from ten till one, when the gardener took it over to Mr. Ellis at the Limes, with whom it remained till seven; then it was taken to Miss Brooks at the Manor House, who, since she got it late, had the advantage of keeping it.

    There’s something quaint and romantic about having such little and proscribed access to information. It’s almost the exact opposite of what we have today, with the glut of news and entertainment that we can barely hold off.

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  • Perfect Days

    I finally got around to watching Wim Wenders Perfect Days, in which it must be said that the city of Tokyo is as much a character as any of the actors. The beautiful, future-forward and unusual toilets which protagonist Hirayama has to clean for his meager living make many appearances. They set the stage for Hirayama to live his days, which illustrate an ordinary life and the events which conspire to disrupt the pleasant monotony. Hirayama conveys a wide range of emotions without saying much of anything.

    I was happy that I was able to correctly guess almost all the songs in the soundtrack. I also loved the minimalist sensibilities and the “a place for everything and everything in its place” angle.

    Perfect Days – Official Trailer (YouTube)


    Perfect Days (2023) is currently streaming on Hulu.

  • No Respect

    I was skimming through this Discogs article on comedy records the other day and came across the 1980 Rodney Dangerfield album No Respect. The a-side is a monologue called “No Respect” and the b-side is a monologue called “Son of No Respect.”

    A colleague of mine, who grew up in Mumbai, India, went to see Back To School, starring Dangerfield, on the first date with her now husband. Their marriage, like many in India still, was arranged. Going to a movie with him at that point was kind of scandalous. She stopped at a bodega on the way to the theater to let her mother know of this indiscretion.

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  • Rad Dad Redemption

    I’ve temporarily lost my cool dad status. Despite my son’s well-planned and executed request (in which he invoked his “mental, physical and emotional health”) to be able to purchase Red Dead: Online, I refused to let him have anything to do with it. Red Dead: Online is the networked version of the Red Dead Redemption franchise. From everything I’ve read, its Mature rating is well deserved. Per Claude:

    The M-rating reflects several concerns for a 13-year-old: graphic violence including shootouts and brutal melee combat, strong language throughout, sexual themes and partial nudity, alcohol and drug use, and gambling mechanics. The game is set in a gritty, morally complex Wild West where players often engage in criminal activities.

    The online component adds another layer of concern – your son would be interacting with strangers online, and despite content filters, exposure to inappropriate chat or behavior from other players is common in online gaming environments.

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  • Sacred Alaska Is So Much Further Than Lincoln Nebraska

    My wife and I just finished watching the 2024 documentary Sacred Alaksa. The film was shown during family ed night at our parish a few weeks ago, but I was celebrating my brother’s birthday and couldn’t make it. I was disappointed not be to able to attend and resolved to see the film in short order.

    “Sacred Alaska” is an award-winning documentary that offers an intimate look into Native Alaskan culture and spirituality. It showcases the profound influence of Orthodoxy, introduced by Russian monks in the late 18th century, on Alaskan society. The film highlights the unique way Alaskans have woven their indigenous beliefs with Orthodox traditions, deeply influencing their worldview. Central to this is the concept of learning to become a “real person.” Through beautiful cinematography and powerful storytelling, “Sacred Alaska” underscores the profound, sacred bond between the Alaskan people, their faith, and the formidable landscape they call home.

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