Skip to content

Recontextualization

Robert Rackley
Robert Rackley
1 min read
Recontextualization
a1306427637_10

When I heard that Starflyer 59 was releasing a new album hot on the heels of their critically acclaimed 2024 record Lust For Gold, I was a bit surprised. Once I dove further into the concept for the record, though, I began to understand why the band was able to put this out so quickly. This isn’t a collection of new songs, but rather a reimagining of previous material in a gently soporific, slumber-inducing format. I wasn’t sure about the premise, but I have to admit to being fond of the results.

The collection comes off as very similar to the Lullaby Renditions of… series that came together almost two decades ago. The series took the songs of popular bands and recreated them in a format that sounded like lullabies. Tracks by Nirvana or Radiohead or even Led Zeppelin were transformed into something that you would hear coming from the plastic mobile rotating over an infant’s crib. If it sounds hokey, maybe it was a bit, but somehow it worked. We had the volume dedicated to The Cure and used to play it to get my oldest son to settle down when he was a baby.

While the stylistic shift is effective in a certain way, it usually leaves me with a desire to go back and listen to the original song. That's certainly true here, especially on tracks like "When I Learn To Sing" (one of my first Starflyer discoveries and still a favorite).  Additionally, as is true in most of these sorts of collections, some songs work well in the new format and some are not as adaptive.

While I don't imagine picking this album up on a regular basis during the day, it makes for a pleasant night cap.


FavoriteNoise

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic.


Related Posts

Members Public

Let Me Take You Out

Listening to “Let Me Take You Out” by Class Actress in 2025 feels like hearing the sound of promise unfulfilled. When the single from their first EP, Journal of Ardency came out in 2010, it seemed like the start of a band destined to make a mark. The song was

Members Public

Long After Midnight

Few musicians are as prolific as Jenn Wasner, the creative force behind Flock of Dimes. She has made much critically acclaimed music as both as Wye Oak and Flock of Dimes as well as collaborating with a host of others on their tunes My favorite project of hers is the

Members Public

Format Wars

It's difficult to decide whether buying physical media is worthwhile.

Format Wars