Noise
A Side Hustle As The Doors
We all know by now that it’s getting tougher to make a living as a musician. While tools for producing music have gotten cheaper and more accessible, the ways to make decent money as a professional in the music industry have been drying up. Alex Marshall and Joanna Yee
Clandestine Noise Operations
Bill Corgan (Smashing Pumpkins, Zwan) recently pondered the decline in popularity of rock music on his podcast The Magnificent Others. “Rock was the greatest single social-changing force of the 20th century,” he said. “And here we are 25 years into the 21st century and rock couldn’t be any less
No One Is Lost
No One Is Lost by Stars My wife and I have long been devoted to music from the band Stars. It’s hard to pick a favorite album, but I especially treasure a few of the songs on No One Is Lost. The 2014 album was recorded in a studio
Stop Me If You Think That You’ve Heard This One Before
One testament to my affection for the Smiths is the fact that I desperately wanted to hate them. My girlfriend in high school sung their praises, but we weren’t totally in sync in the music department. I was turned off by what I saw as the pretentiousness of Morrissey,
King Cnut
London-based outfit Mandrake Handshake has something like a psychadelic+ sound. Or as they call it themselves—flowerkraut. They probably owe as much to Stereolab as anyone else. In their song “Hypersonic Super-Asterid,” they actually use the phrase “metronomic underground," which is the first track from Stereolab’s Emperor Tomato
Too Fast To Last
Longtime readers know I’m a big fan of Scout Gillett, who I first discovered via her beguiling cover of Broadcast’s “Come On, Let’s Go.” I had her first full-length, 2022’s No Roof No Floor, on very heavy rotation for a couple of months after its release.
Lonely Road
I was unfamiliar with Natalie Bergman and discovered her new material while combing through this post by Jason Morehead about some of his favorite songs of 2025. This track leads off Bergman's 2025 release, My Home Is Not In This World. It's got a Brill Building
120 Minutes That Saved My Life
When I was starting to explore the scope of music in what used to be called the “alternative” scene in the late ’80s and early ’90s, the MTV show 120 Minutes was an effective teacher. The label described a loosely knit category—if you can even call it that—in
Streaming Cassettes
Jason Koelber tells the story of how he moved from streaming music to buying cassettes for 404 Media. When I came to Tokyo, a friend took me to a store that sold cheap portable cassette players, and I knew it wouldn’t be a huge leap to take my music
No Carbon Copies
Damon Krukowski from Galaxie 500 writes about the vitality of live music — not just music experienced in person, but also live albums. I started collecting live albums— bootlegs in particular — because they helped me hear how musicians actually play their instruments. Growing up in the heyday of 1960s and ’70s
