Skip to content

🎵 Come On Let's Go

Robert Rackley
Robert Rackley
1 min read
🎵 Come On Let's Go

Captured Tracks recording artist Scout Gillett covers the standout Broadcast track "Come On Let's Go" on her newest covers EP, One To Ten. I liked the original version of this song, despite the fact that I am always feeling like I'm going to get Broadcast mixed up with Stereolab (it's the same sixties space age bachelor pad vibe). It’s an interesting choice for for Gillett, who also covers Brenda Lee’s “I’m Sorry” on the EP — which sounds completely fitting for her retro country-pop feel.

Here Gillett doesn't shed the Broadcast sound, but adds some punch to the track. There’s a noisy but slow guitar solo that heats things up. Gillett mimes shredding the guitar using a broom in the video. It’s obvious she’s having a lot of fun with this recording, which was originally done in September 2020, at the height of the COVID pandemic, for a tribute compilation to the late Broadcast singer, Trish Keenan. Since the order of the day was to stay home and stay well, any movement outside of out that space was carefully calculated. So the lyrics to the song, which go: “what’s the point in wasting time, with people you’ll never know,” really spoke to Gillette about the current state of affairs. You had to be judicious about who you spent time with and the song, written decades ago, pointed straight at that situation. Gillette's voice sounds less coy than Keenan's does on the song, and she compensates in the video by nodding affirmatively during the chorus. As she sings "come on let's go," heaven help you if you aren't at least curious to see where Gillett is going to take you.

Friday Night VideoNoise

Robert Rackley

Mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic. Self-publishing since 1994.


Related Posts

Members Public

You Could Do Anything

Shelly Ridenour penned an article for Qobuz on the stellar alternative albums from 1991. One observation that I found particularly poignant from having grown up during this period was around the change that Nirvana’s Nevermind brought to mainstream music with regard to gender dynamics. Within a couple of months,

You Could Do Anything
Members Public

Portland Town

One of my greatest joys in 2026 has been the release of new material by British riot twee band Heavenly. I’ll admit I approached the release of this year’s brilliantly named Highway to Heavenly LP with a certain amount of skepticism. After decades of radio silence, it’s

Members Public

Hurts Like Hell

Charlotte Cornfield is the latest musician to put out something via Durham, NC’s Merge Records. Hurts Like Hell is also the first long player by the Canadian singer/songwriter since becoming a mother. The title track, “Hurts Like Hell,” wallows in a remembered sentimentality with the advantage of looking