A personal weblog by Robert — a mere Christian, aspiring minimalist, inveterate notetaker, budget audiophile and paper airplane mechanic.
Shelly Ridenour penned an article for Qobuz on the stellar alternative albums from 1991. One observation that I found particularly poignant from having grown up during this period was around the change that Nirvana’s Nevermind brought to mainstream music with regard to gender dynamics.
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Everyone has been posting about the Aadam Jacobs collection. Since I love indie music from the 90’s, I’m certainly going to spend some time with the massive 10,000 live recordings collection. I went to the page on the Internet Archive and one of the first recordings I saw was neo-classical band Rachel’s at Lounge Ax. I bought The Lounge Ax Defense and Relocation compilation created to save the venerable Chicago club when it released. I’ve spun that disc hundreds of times. The song Rachel’s contributed to the comp, “Those Pearls…,” is probably my favorite by the band.
Immediate download. Let’s get this exploration started.
One of my greatest joys in 2026 has been the release of new material by British riot twee band Heavenly. I’ll admit I approached the release of this year’s brilliantly named Highway to Heavenly LP with a certain amount of skepticism. After decades of radio silence, it’s hard to know what to expect from a long-time favorite and easy to be disappointed.
read more…My wife and I thoroughly enjoyed the adaptation of The Forsyte Saga that aired early in the aughts and starred Damien Lewis, among others. The generation spanning historical drama scratched my itch for vast and ambitious period pieces.
Last night, we watched the first episode of Masterpiece’s The Count of Monte Christo, hoping it would do justice to the sprawling epic that is one of our favorite books. The initial entry into the series seems promising. After the episode, a trailer for the new Masterpiece adaptation of The Forsytes aired. It was kind of a disappointment. It had the feel of Netflix period drama, with characters and situations that seem all-to-modern. One thing that always gets me as far as anachronistic elements go is the close cropped beards, even though there were no electric beard trimmers at the time. If the dudes look like guys you would find at Lifetime Fitness, I have a hard time suspending my disbelief.
I just signed up for access to Attie, a new AI-based app from Bluesky, which allows you to shape your feed on the social network using plain language. To be honest, I wasn’t that excited about the app when it was first announced. It can be hard these days to sift through the AI hype to locate the value in some of these propositions.
Then I came across an old quote I had saved about blogging. Henrik Karlsson wrote in 2022 that a blog post “is a very long and complex search query to find fascinating people and make them route interesting stuff to your inbox.” Karlsson was sparked to this realization after writing an essay about Ivan Illich and systems thinking, and being introduced to it by many who wanted to discuss the topic.
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Every time I finish a novel in which I have invested a lot of time and emotion, I feel a bit unmoored. What other worlds are out there now that this one is gone? It’s like the characters in that world died and will be grieved. Some even after entering a new story.
After I wrapped up reading Demon Copperhead last weekend, I had these feelings. I almost shed tears at the end of the book. There are no novels piling up in a stack for me to read, so I was bereft. I was almost present in Lee County, that little corner of Appalachia where most of the book takes place, for some period. My own trip to Appalachia recently only reinforced that feeling.
read more…With the announcement on the A New Social blog that Bridgy Fed — which has been helpful in syndicating my Fediverse posts from Ghost to Bluesky — was bringing longform to the Atmosphere, I found myself wanting to play with some of the current blogging tools running on AT Proto.1 Unfortunately, even with the aid of a super-smart LLM, I couldn’t get the standard.site integration working. I was either getting errors that I was missing the domain parameter when using my ActivityPub account or a 404 when I was using my domain account. Damned if you do…
read more…Charlotte Cornfield is the latest musician to put out something via Durham, NC’s Merge Records. Hurts Like Hell is also the first long player by the Canadian singer/songwriter since becoming a mother. The title track, “Hurts Like Hell,” wallows in a remembered sentimentality with the advantage of looking at difficulty in the rearview mirror. We all know what it’s like to try to gain perspective when in the midst of a tough situation.
The video immediately endeared itself to me because its protagonist is wearing a sweater just like one I purchased a couple of weeks ago. The guy looks like he’s kin to Ben Gibbard and plays a sympathetic character who appears to ingest some psychoactive substance along with a confection delivered from an anonymous sender. His enthusiasm for playing the video’s song at high volumes (with bass boost!) outside is a nuisance to his neighbors.
Charlotte Cornfield – Hurts Like Hell (YouTube)
Widowspeak has a new record coming this June and produced a video for the lead single, “If You Change.” I first heard the band when they covered Dire Straits’ “Romeo and Juliet,” a song that never landed with me previously. Widowspeak won me over with the wistful tenderness they gave their treatment of the track.
Most of you may know that I joined the Orthodox Christian church two years ago. I came from a lifelong background with mainline Christian churches. The Orthodox Church doesn’t describe itself as a denomination, but rather as pre-denominational, tracing its lineage back to the Apostles.
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